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Psycho 1998 original soundtrack movie#
The marriage of Alfred Hitchcock's movie and Bernard, or Benny, Herrmann's music is seen as a perfect union, the peak of the collaboration between the English-born director who moved to Hollywood and the composer from New York City who lived his later years in Britain.
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So there's the major, but then there's also the minor, which is getting us into the darker side of things." For instance, the opening scene of "Psycho" looks like just an ordinary tryst in a hotel room between Janet Leigh and John Gavin. And that, to me, is one of the essences of Hitchcock, which, of course, Hitchcock tends to start out in the ordinary. :That bump-bump-bump-bump sort of signals the whole presence of "Psycho." And it's a 7th chord that contains both major and minor intervals. Film professor Royal Brown calls it the Hitchcock chord. So with some trepidation, audiences 40 years ago watched the opening credits of "Psycho" and they heard something unnerving: a string ensemble striking a chilling chord composed by Bernard Herrmann. No one would be seated after the film began. When "Psycho" first played in movie theaters, the film's horror was matched by its hype.
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He worked with Orson Welles in the Mercury Theatre he wrote the music for "The War of the Worlds" and, later, "Citizen Kane." Herrmann's music was also heard on dozens of television programs, including "The Twilight Zone." He died in 1975, just after completing the score to "Taxi Driver." But perhaps his most enduring and best-known work was done with Alfred Hitchcock, and Bernard Herrmann's score for "Psycho" has come to epitomize suspense and terror. Before his collaboration with Hitchcock, Bernard Herrmann had written several scores for radio and film.